But when the press fixated as the public gyrated, critiques of Doggystyle’s sometimes misogynistic, often violent subject matter were commonly met with the simple retort of being “real.” The lyrics were real in the sense of: it really be like that sometimes, shit gets really real, and the depictions of real circumstances of survival in a nation of calculated Black neglect won’t always come with a nice-looking bow on top. The Snoop we know today is the neighborhood OG, a gatekeeper and a family man. Delores Tucker speak, that had hoods and suburbs entrenched in the same beat. It’s the gangsta’s equilibrium we know from the best of hip-hop, walking every side of every line to find the real in the ugly.ĭoggystyle is the type of album that made politicians steamroll jewel cases in the street, that made C. But when Calvin Broadus, Jr., delves deeper into the Dogg, he ponders forgiveness for his trespasses, and pines for the solutions to the madness he knows. On a regular day, he’s the homeboy everyone has: he drinks and smokes, fights and fucks, and can catch a bullet without a name like anybody else.

Snoop’s not the most lyrically dexterous, he’s not the most visibly threatening, but the menace plays off the coolness that’s believable without the extra aggrandizing. Dre on the boards for every song, the Doggystyle universe creeps slow through a Long Beach night and pulverizes the speakers at the kickback in a mere breath, extending the sonic narrative of The Chronic into a new journey. Just a couple years removed from his full-time crimewave days, on his coming out party, he’s flanked by the usual suspects-Tha Dogg Pound, Daz & Kurupt, The Lady of Rage, Warren G, and more-but he’s never dethroned from the star of the show because he plays his role with an unmatched menace. Sign up to receive this album at /rapĮnter Snoop Dogg: a voice too smooth for its time, and harsh enough to rewind.

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